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Southwest Blackwork

photos & videos by Dakota Cleveland


“I’m an interpreter, not of language, but of the human mind. My canvas is the Human body. I do tattoos”

Biography

Korrin grew up in a small village, located in the Jemez Mountains of New Mexico. While the beautiful high-desert mountains gave Korrin a true appreciation for nature, activities were somewhat limited. Creating art became an outlet. Korrin’s dad, being a professional sculptor, offered a plethora of materials, always encouraging any creative pursuits his son found an interest in. Drawing, carving, and painting all became daily activities for Korrin at a very young age. Besides winning many awards in Junior High and High school art show, Korrin had his first gallery show at the Jemez Fine Arts Gallery when he was 14. This display, showcased the influence of street art that Korrin adopted from his travels to Europe and the time he spent in Albuquerque. Later, at the age of 19, he had another successful one-man art show at a cafe in Durango Colorado selling all but 2 of the  paintings decorating the walls. Around this time Korrin began to drift away from the mixed media and any other mainstream works of art, leaning more towards the human body as a canvas of choice. By the end of 2021, he had began a life of self taught tattooing diving deep into all aspects of body modification art. By 2022 Korrin was renting a studio space and apprenticing under Doug Patrum owner of Durango Tattoo Co. 

 

a statment.

sand texture


It is difficult to put walls in place surrounding the ‘Origin Point’ of my work. It is seemingly a shapeshifting expression of the human experience. When I say, ‘the human experience,” I am referring to the condition of existence we collectively share. Our faculty feeling, sensation and sensibility. The appreciation, atmosphere, aura, awareness, consciousness, impression, intuition, perception, premonition, presentiment, and sentiment that is ever-present yet ever- changing. To explain my attempts to harness anything reminiscent of this, I must also explain my choice of mediums.
Throughout the years I’ve explored various art forms, from painting and sculpting to drawing and much more. Recently, I became tangled up with the human body its self and I once I started and could never look back. When living skin becomes a canvas its is very rare for one to let go in search of something else. There is a running joke that when one becomes a tattoo artist one becomes a therapist, a councilor, and sometimes a doctor of the soul. In my profession I again and again have begun to see myself as something close the ferryman docked at the River Styx. I stand as an interpreter or a guide waiting to be in service to those who come knocking at the door. I work with people from all walks of life and each has their own unique experience to convey through each new work of art.

When I am commissioned to take on a client my work always begins with a conversation. Often they will tell a story or point to a time in their life that was so significant it gave them something to remember, something to hold on to. Sometimes it is a picture, a symbol, a mantra; Other times it is a burn or a scar to be hidden. It can be as simple as a light hearted quote or so deep as to honor their darkness. My job is to listen. My job is to interpret. I decipher what part of their experience is the most important and capture its essence. There is always an answer to be found in this process. An answer that drove them to permanently manipulate their body and

make such a commitment. From here I take the intrapersonal to the interpersonal. I capture a moment of time and give them an experience that will be with them until they die.
For some, this is too much pressure to bare. For others, its significance is completely neglected and treated like a hustle. Even so, there are the few, the shamans and the masters, the creators and the spirit dancers. Those that walk the line between a painful torture and masochistic subliminal-bliss, all the while with a humility and respect for those that crave their help. Blessed am I, for these are the teachings of my mentors. Blessed I am, for this is the path I chose to follow.

black rock texture

beauty in its rawest form

black sand texture
drone shot of red rocks

iceland’s surface is carved by water, originating from either its massive glaciers or abundant rainfall.

shop prints

a2 sized digital c prints, suitable for framing. each edition is limited to ten prints.

black rocks texture
red rocks shot on drone